hindustani sangeet paddhati kramik pustak malika english

In 1884, Bhatkhande became a member of Gayan Uttejak Mandali, a music appreciation society in Bombay, which broadened his experience with music performance and teaching. In 1887, Bhatkhande graduated with a degree in law from Bombay University and briefly pursued a career in criminal law. He completed a BA degree at Elphinstone College in Bombay in 1885. After turning fifteen, Bhatkhande became a student of the sitar and subsequently began studying Sanskrit texts that dealt with music theory. While not a professional musician himself, his father, who worked for an affluent businessman, ensured that Bhatkhande and his siblings received an education in classical music. Pandit Vishnu Narayan Bhatkhande was born on 10 August 1860 into a Chitpavan Brahmin family in Walkeshwar, Bombay. He borrowed the idea of lakshan geet from the Carnatic music scholar Venkatamakhin. He explained the ragas in an easy-to-understand language and composed several bandishes which explained the grammar of the ragas.

He noted that several ragas did not conform to their description in ancient Sanskrit texts. Bhatkhande reclassified them into the currently used thaat system. Ragas used to be classified into Raga (male), Ragini (female), and Putra (children).

During those earlier times, the art had undergone several changes, rendering the raga grammar documented in scant old outdated texts. Pandit Vishnu Narayan Bhatkhande (10 August 1860 – 19 September 1936) was an Indian musicologist who wrote the first modern treatise on Hindustani classical music, an art which had been propagated for acenturies mostly through oral traditions.

Hindustani sangeet paddhati kramik pustak malika english